It's official. (I mean it's in Locus Magazine. You can't get more official than that, right?) I can now happy dance in public. "The Wrong Refrigerator" is one of the finalists in the novelette category of this year's Asimov's Science Fiction Magazine Readers Awards! I still can't quite believe it. Big thanks again to Sheila Williams for believing in the story. For those of you who didn't catch it the first time around, here's a link to the PDF, courtesy of Asimov's. And if the story inspires you to nominate it for one of those awards I mentioned yesterday, why I'd have no objection at all. ;-) If not, that's cool, too. I'm grateful to everyone who thought enough of the story to name it in their Readers Poll ballot. It's an honor to be on the same list with Nancy Kress, Ian R. MacLeod, Kristine Kathryn Rusch and Allen Steele.
Twitter Updates
Monday, February 11, 2019
Sunday, February 10, 2019
The Really Cutting it Fine, Almost too Late, Awards Nomination Post
I thought the 2018 awards nomination season passed me by. But on Friday the good folks at the Science Fiction and Fantasy Writers of America (SFWA) sent out a reminder that the Nebula nomination period remains open until Friday, February 15—to say nothing of the Hugo Awards, which haven’t even circulated their ballot yet. (Hey, I dream big.) So if there’s anybody out there looking to fill the empty spaces on their various awards ballots, I’ve got stories—and some nonfiction, too:
NOVELETTE
“The Wrong Refrigerator”, edited by Sheila Williams, published in Asimov’s September/October 2018 issue.
“A Favor for Lord Bai”, edited by Patricia Bray and Joshua Palmatier, published in Second Round: A Return to the Ur-Bar (Zombies Need Brains)
NOVELLA
“Devil’s Bargain”, edited by R. Allen Leider, published in Signed in Blood (Bold Venture Press)
RELATED WORK
Strategy Strikes Back: How Star Wars Explains Modern Military Conflict, edited by Max Brooks, John Amble, M.L. Cavanaugh and Jaym Gates, published by Potomac Books
The “Related Work” category only applies to the Hugos. (Again: Dream big. Rinse. Repeat.) My contribution to the collection was “Jedi Mind Tricks: From the Reel to the Real”, which shows you just how far out there real life military operations can be.
Links to the bleeding chunks—er, excerpts from all these works can be found on my homepage: JeanMarieWard.com .
Alas, lacking a new novel or graphic novel, I’m not eligible for Dragon Awards, but I feel I should plug them, regardless. They’re one of the few awards where anybody can vote. You don’t even have to buy a DragonCon membership. All you need is a lot of love for science fiction and fantasy in all its forms--in other words, everybody!
Thanks and happy reading!
NOVELETTE
“The Wrong Refrigerator”, edited by Sheila Williams, published in Asimov’s September/October 2018 issue.
“A Favor for Lord Bai”, edited by Patricia Bray and Joshua Palmatier, published in Second Round: A Return to the Ur-Bar (Zombies Need Brains)
NOVELLA
“Devil’s Bargain”, edited by R. Allen Leider, published in Signed in Blood (Bold Venture Press)
RELATED WORK
Strategy Strikes Back: How Star Wars Explains Modern Military Conflict, edited by Max Brooks, John Amble, M.L. Cavanaugh and Jaym Gates, published by Potomac Books
The “Related Work” category only applies to the Hugos. (Again: Dream big. Rinse. Repeat.) My contribution to the collection was “Jedi Mind Tricks: From the Reel to the Real”, which shows you just how far out there real life military operations can be.
Links to the bleeding chunks—er, excerpts from all these works can be found on my homepage: JeanMarieWard.com .
Alas, lacking a new novel or graphic novel, I’m not eligible for Dragon Awards, but I feel I should plug them, regardless. They’re one of the few awards where anybody can vote. You don’t even have to buy a DragonCon membership. All you need is a lot of love for science fiction and fantasy in all its forms--in other words, everybody!
Thanks and happy reading!
Labels:
award,
fiction,
jean marie ward,
nonfiction
Thursday, September 27, 2018
My Capclave Schedule, 2018 Edition
Oops! I meant to post this
earlier this week, but my current writing project had other ideas. I’m just
glad it released its grip before the con began.
Capclave did me proud this
year: six panels, an autograph session and two readings. It all takes place
Friday-Sunday, September 28-30 at the Rockville Hilton and Executive Meeting
Center, Rockville, Maryland. I hope to see you there—and remember, the
autographing session always has cake…
Friday
4 PM: Writing at Different Lengths
Panelists: Nancy Kress, Suzanne Palmer, Jean Marie Ward (M), Alyssa Wong
Writing at a short length vs. writing a novella or novel. What are the differences, if any, in how to approach the writing of a short story vs. the writing of a novel. (Eisenhower)
Panelists: Nancy Kress, Suzanne Palmer, Jean Marie Ward (M), Alyssa Wong
Writing at a short length vs. writing a novella or novel. What are the differences, if any, in how to approach the writing of a short story vs. the writing of a novel. (Eisenhower)
6 PM: Humorous SF
Panelists: Darrell Schweitzer, Alex Shvartsman, Jean Marie Ward (M)
It's easy to name the funny fantasy books, but what about the funny SF books and short stories? For instance, Unidentified Funny Objects is an entire anthology of funny SF. (Truman)
Panelists: Darrell Schweitzer, Alex Shvartsman, Jean Marie Ward (M)
It's easy to name the funny fantasy books, but what about the funny SF books and short stories? For instance, Unidentified Funny Objects is an entire anthology of funny SF. (Truman)
10 PM: Writing on the Job
Panelists: Marilyn "Mattie" Brahen, Barbara Krasnoff (M), Hildy Silverman, Jean Marie Ward
Is it better for a writer to have a non-writing job to save his/her writing energies for fiction or to use writing skills to make a nonfiction living on the idea that any writing improves fiction writing? And when should you quit your day job? Hear writers discuss the relationship between their day job and their writing. (Washington Theater)
Panelists: Marilyn "Mattie" Brahen, Barbara Krasnoff (M), Hildy Silverman, Jean Marie Ward
Is it better for a writer to have a non-writing job to save his/her writing energies for fiction or to use writing skills to make a nonfiction living on the idea that any writing improves fiction writing? And when should you quit your day job? Hear writers discuss the relationship between their day job and their writing. (Washington Theater)
Saturday
1 PM: What Makes Alternate History So Compelling?
Panelists: Tom Doyle (M), J. L. Gribble, Bjorn Hasseler, Alan Smale, Jean Marie Ward
Alternate histories continue to proliferate, though in accordance with Sturgeon's Law, most fail the plausibility test, the storytelling test, or both. Why do the what-ifs continue to fascinate us, and what makes a powerful story in this subgenre? (Truman)
Panelists: Tom Doyle (M), J. L. Gribble, Bjorn Hasseler, Alan Smale, Jean Marie Ward
Alternate histories continue to proliferate, though in accordance with Sturgeon's Law, most fail the plausibility test, the storytelling test, or both. Why do the what-ifs continue to fascinate us, and what makes a powerful story in this subgenre? (Truman)
3 PM: Broad Universe Rapid
Fire Reading
Panelists: Jeanne Adams, Danielle Ackley-McPhail, Carol Ann Douglas, Jennifer Povey, Jean Marie Ward (M), Joan Wendland
Broad Universe is an international organization with the primary goal of promoting science fiction, fantasy, and horror written by women. Members will be doing readings from their own works. (Jackson)
Panelists: Jeanne Adams, Danielle Ackley-McPhail, Carol Ann Douglas, Jennifer Povey, Jean Marie Ward (M), Joan Wendland
Broad Universe is an international organization with the primary goal of promoting science fiction, fantasy, and horror written by women. Members will be doing readings from their own works. (Jackson)
4 PM: Middles
Panelists: Wendy S. Delmater, Andrew Fox, Nancy Kress, Jack Skillingstead, David Walton, Jean Marie Ward (M)
So now that you've started your story, how do you put meat on its bones? How do you develop plot and character at short fiction and novel lengths? How many Aristotelian unites can and should you violate in your story? (Washington Theater)
Panelists: Wendy S. Delmater, Andrew Fox, Nancy Kress, Jack Skillingstead, David Walton, Jean Marie Ward (M)
So now that you've started your story, how do you put meat on its bones? How do you develop plot and character at short fiction and novel lengths? How many Aristotelian unites can and should you violate in your story? (Washington Theater)
6 PM: Use of Mythology in SFF
Panelists: Tom Doyle, Michelle D. Sonnier, Jean Marie Ward, Steven H. Wilson, A.C. Wise (M)
There are a lot of different mythologies out there, with both similarities and differences. How do we incorporate and adapt them when writing our stories? Norse, Greek and Roman myths are the most common ones used in genre stories but are not the only mythologies out there. What's acceptable to adapt and change, especially when using a mythology from a culture not one's own. E.g. dragons in Europe and dragons in various Asian countries have quite different motives and personalities ascribed to them. (Washington Theater)
Panelists: Tom Doyle, Michelle D. Sonnier, Jean Marie Ward, Steven H. Wilson, A.C. Wise (M)
There are a lot of different mythologies out there, with both similarities and differences. How do we incorporate and adapt them when writing our stories? Norse, Greek and Roman myths are the most common ones used in genre stories but are not the only mythologies out there. What's acceptable to adapt and change, especially when using a mythology from a culture not one's own. E.g. dragons in Europe and dragons in various Asian countries have quite different motives and personalities ascribed to them. (Washington Theater)
7:30 PM: Mass Autographing
and Awards Ceremony
(Eisenhower) Ends at 8:55 PM
Sunday
1 PM: Reading
(Lincoln) Ends at 1:25 PM
3 PM: Superheroine to Wise Woman: Creating Powerful Female Characters
Panelists: Cerece Rennie Murphy, Michelle D. Sonnier, Jean Marie Ward, A.C. Wise (M)
What goes into creating strong, compelling female characters in fantasy worlds? Speculative fiction authors discuss how to approach elements such as world-building, magic, special powers, and plot when crafting a multi-dimensional character, and how to avoid the pitfalls of the "Mary Sue." (Jackson)
Panelists: Cerece Rennie Murphy, Michelle D. Sonnier, Jean Marie Ward, A.C. Wise (M)
What goes into creating strong, compelling female characters in fantasy worlds? Speculative fiction authors discuss how to approach elements such as world-building, magic, special powers, and plot when crafting a multi-dimensional character, and how to avoid the pitfalls of the "Mary Sue." (Jackson)
#
Sunday, September 9, 2018
#HoldOntoTheLight: The Bathroom Trick
Mom was a Jungian—sort of.
A World War II-era
psychiatric nurse, she understood there are times when talking through a
problem simply wasn’t enough. She knew the health of the mind was inextricably
linked to the health of the body. She’d seen firsthand the devastating effect
of shell shock, as well as the psychosis and personality changes suffered by her
sister when a well-meaning fool burst a goiter on her sister’s neck. She also
knew entire families could suffer with mental health issues, and it wasn’t a
matter of fault. They were born that way.
To her way of thinking, we’re
all born that way. Even people wired to be happy can find themselves devastated
by circumstances beyond their control—the death of a loved one, terminal
illness, injury and global catastrophe. Sometimes sadness or a feeling of utter
powerlessness is the only rational response to a situation. As someone who’d
experienced her share of tragedy, she knew grief was a natural part of the
human condition. The trick was to prevent the sorrow from becoming more
calamitous than its cause.
Safe, effective
anti-depressants hadn’t been invented yet. So Mom and her colleagues explored
other modes of treatment. Mom focused on the coping mechanisms developed
independently by those who routinely struggled with depression. She was
particularly struck by Winston Churchill’s way of dealing with his “Black Dog”.
Whenever Churchill felt himself sliding into despair, he would go into the
garden and lay bricks on a wall.
To a Jungian, the symbolism
was obvious. The wall represented a physical and symbolic barrier between him
and his troubles. But Mom took it further. Analyzing newspaper and magazine
articles she found in the base library, she concluded Churchill’s deepest
depressions coincided with moments where he felt most powerless. View in that
light, the wall was also his way of exerting control over his world.
Few people in Mom’s orbit had
the luxury of building a wall. Hell, if you were living in military housing,
chances were you didn’t even have a yard. But control—Mom understood control. I
used to describe her as a combination of the kinder, gentler qualities of
Napoleon Bonaparte, Niccolo Machiavelli and Attila the Hun. Full disclosure:
they didn’t have any. What they did have, however, was the ability to assess
the available resources and apply them to the problem at hand.
Ultimately Mom decided the
best alternative for building a wall was cleaning a bathroom. The two tasks
shared many attributes. Cleaning a bathroom seldom qualifies as a daily
necessity. It’s usually something you could choose to do. Or not. It involves
manageable levels of physical labor (subsequently shown to help the body
self-regulate its chemistry). It can be done in a limited amount of time. It
offers tangible results. It harms no one, yet invariably leads to a sense of
accomplishment. When I was young, she insisted it was the only viable therapy for
a growing girl; a big, strong man like my dad could clean the stove. (What? You
didn’t think she practiced her trade on Dad and me? See the historical role
models listed above.) But later, after she finally sprang for a regular
cleaning lady, she admitted any self-contained, productive activity could suffice,
from washing the car to baking cookies for a friend.
Mom died twelve years ago,
but I still use the “bathroom trick”. I don’t always clean a bathroom.
Sometimes I don’t even bother with physical exertion. It doesn’t really matter
what I do. The key is restoring a sense of control through a personal achievement,
no matter how small.
Mom would have been the first
to say the strategy doesn’t always work. Plus, it’s only a therapy, not a cure.
But she believed that any strategy that took the edge off pain without causing
harm should be shared. I share it in that spirit. If it helps anyone who reads
this, I’ll consider it worthwhile. So would she.
***
About
the campaign:
#HoldOnToTheLight
is a blog campaign encompassing blog posts by fantasy and science fiction
authors around the world in an effort to raise awareness around treatment for
depression, suicide prevention, domestic violence intervention, PTSD
initiatives, bullying prevention and other mental health-related issues. We
believe fandom should be supportive, welcoming and inclusive, in the long
tradition of fandom taking care of its own. We encourage readers and fans to seek
the help they or their loved ones need without shame or embarrassment.
Please consider donating to or
volunteering for organizations dedicated to treatment and prevention such as: American
Foundation for Suicide Prevention, Home for the Warriors (PTSD), National
Alliance on Mental Illness (NAMI), Canadian Mental Health Association, MIND
(UK), SANE (UK), BeyondBlue (Australia), To Write Love On Her Arms and the National
Suicide Prevention Hotline.
To find out more about #HoldOnToTheLight,
find a list of participating authors, or reach a media contact, go to https://www.facebook.com/groups/276745236033627/.
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