My Discon III schedule

 

I’m really going to do it this time. I’m going to attend a con, and not just any con, but DisCon III, the first Worldcon to be held in Washington, DC, since 1974. They even let me participate in the program. This may be a mistake. But you’ll only know if you check it out. All the deets can be found at DisCon3.org. Meanwhile, here are my panels:

 

Wednesday, December 15

4 PM, Forum Room (In-Person)

What to See in DC

Sarah Avery, Joshua Bilmes, Matt G. Leger (Moderator), DW “Lemur” Rowlands, Jean Marie Ward

Listen to the locals. We’ll tell you all the cool stuff to see in Washington, DC, and the close in suburbs. You don’t want to miss this!

 

Saturday, December 18

1 PM, Kress (Virtual)

Unsolved Historical Mysteries

Emad Aysha, Kate Heartfield, D.W. Rowland, Steven H. Silver (moderator), Alan Smale, Jean Marie Ward

Where is Punt? Where is Cleopatra buried? Who was Jack the Ripper? What happened to the Minoans? If you had access to time travel, which burning questions and unsolved mysteries from history would you want to solve?

 

Sunday, Dec 19

I PM, Capitol Room (In-Person)

Reading

I’ll be sharing the hour with David D. Levine, the Andre Norton Award-winning author of Arabella of Mars, its sequels, and lots of short stories. And as always, there will be chocolate.

 

Hope to see you there! 😊

My Schedule for Capclave 2021

 Finally, I’m going to a real, live convention this weekend (October 1-3)! Capclave 2021 will be the first in-person con I’ve participated in since…well, since Capclave 2019. But the wait will totally be worth it, because this year’s Capclave will be two conventions in one. Not only does the con boast Guest of Honor Peter S. Beagle, but it will also be hosting Eric Flint and the 2021 Ring of Fire Con.

You just can’t go wrong with that. Check it out at the Rockville Hilton and Executive Center in Rockville, Maryland. For a taste, check out my panels:

Friday

5 PM: Reading (Monroe Meeting Room)
Yes, there will be chocolate, a soupcon of Dionysus, and possibly the opening of the story where I bellow “Struuuuudel!” at random intervals. Join us and find out!

Saturday

5 PM: What I Did to Survive the Great Pandemic (Washington Theater)
Participants: Mary Fan, Natalie Luhrs, Suzanne Palmer, Jean Marie Ward, Ted Weber (Moderator)
What did people do to survive the pandemic? What changed in their lives? How are they adjusting to getting their lives back? How comfortable are you with post-pandemic conditions? What does normal mean? How will your life be different? When will you give up your mask?

7 PM: How Do I Use History Without a Ph.D. in It? (Eisenhower Meeting Room)
Participants: Tom Doyle, Eric Flint, Alan Smale (M), Jean Marie Ward, Ted Weber
Okay, Harry Turtledove and Arkady Martine have advanced degrees in history. What can other authors do to get historical information? What are the best and most reliable sources? Should writers do all their research before outlining or just leave blanks to research later? Which sources are best for inspiring ideas, and which are helpful inwriting? How do you identify biased sources, and can you still use them? What if your sources conflict? How much history do you put in your novel?

Sunday

Noon: Magic’s Price (Truman Meeting Room)
Participants: Donald S. Crankshaw (M), Carolyn Ives Gilman, Karlo Yeager Rodriguez, Jean Marie Ward
In many stories there is a cost to doing magic. What are the costs of doing magic: physical, mental, societal, or other? When are the gains worth the price, and when is this in question? What books show this well?

1 PM: Twice Upon a Time—Revisiting Classic Tales (Washington Theater)
Participants: Leah Cypess, Mark Huston, Jean Marie Ward (M), A.C. Wise
Disney was not the first to redo fairy tales. As part of an oral tradition, they were never static but were altered by every storyteller. Re-tellers have remixed archetypes and traditional elements down to the present day. So how can writers give new life to these old stories? And given that everyone knows how the original stories went, what can authors do to make their version stand out?

If you like what you read, check out the Capclave website <https://www.capclave.org/capclave/capclave21/> for more program goodness and join us at the Rockville Hilton, Friday through Sunday, October 1-3. Looking forward to seeing you there!

My 2021 Balticon Schedule

 

All hail the SFF highlight of my Memorial Day weekend: Balticon! This year my panels span bureaucracy, history, worldbuilding, monsters and a reading. Hope you’ll check them out, as well as all the other wonderful programming available for free! Panel registration and links can be found here. While you’re there, I hope you’ll consider supporting the con’s GoFundMe to ensure all this fannish goodness is available in person in 2022.

 

 

Friday, May 28

 

Beyond Red Tape: Why Bureaucracy Happens

Time: 5:30 PM Eastern Time (US and Canada)

Location: Watertable
Panelists: Brick Barrientos (Moderator), Doc Coleman, Monica Louzon, Beth Morris Tanner, Jean Marie Ward

Description: Bureaucracy can be more than a comical obstacle for characters or a Kafkaesque nightmare. Societies and organizations create bureaucracy as a tool to solve specific problems. How can bureaucracy and governance structures be a part of good worldbuilding and good problem solving?

 

 

Sunday, May 30

It's A Novel, Not History Class

Time: 1:00 PM ET

Location: Mount Washington
Panelists: Gail Z. Martin (M), Doc Coleman, R.F. Kuang (2019 Compton Crook Award winner), Wendy Van Camp, Jean Marie Ward

Description: When writing in a historical setting creators can greatly over- or underestimate how much information they’ll need to incorporate for their audiences to understand what’s going on. We will explore how to immerse audiences in the past without losing focus on plot and characters. How can a creator tell how much the audience already knows, and how much needs to be explained?

 

The Motivations of Monsters
Time: 2:30 PM ET

Location: St. George

Panelists: Jean Marie Ward (M), John L. French, Lee Murray, John Walker, Sherri Cook Woolsey

Description: Science fiction and fantasy have always featured "monsters," going all the way back to Mary Shelley's Frankenstein. While some are mindless destroyers, many are written with relatable motivations and desires. What are some monsters who have connected with audiences, and what are ways creators can make their monsters sympathetic while keeping them in an antagonistic role?

 

Writing Characters with Agency
Time: 8:30 PM ET

Location: Mount Washington

Panelists: Jean Marie Ward (M), Brenda Clough, Micaiah Johnson (2021 Compton Crook Award winner), Karen Osborne, Ryan Van Loan

Description: How do we give characters the power to make their own choices (and make those choices feel natural) while also moving the plot where it needs to go? What are some common mistakes that can take agency from a character without the author intending it? How does this problem affect audience investment?

 

 

Monday, May 30

 

Reading

Time: 1:30 PM ET

Location: Readings Break-out Room in the Con Suite

Panelists: Meeeeeeeeeee!

Description: According to the schedule, I’ll be reading urban fantasy, Steampunk and historical fantasy. Hmm, guess I’d better rehearse.

 

Hope to see you there!